Secret Files of the Inquisition
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An inside look at Louis C.K.’s public downfall and surprising return to the stage. Featuring interviews with three women -- Jen Kirkman, Abby Schachner, and Megan Koester -- who spoke up about his sexual misconduct, New York Times journalists who broke the story, and fellow comedians and writers such as Michael Ian Black, Michael Schur, and Aida Rodriguez. Invites viewers to question whose stories and whose art we value, and at what cost. A New York Times production.
Independent reviews from the Compare TV editorial team.
Sorry/Not Sorry, directed by Caroline Suh, offers a compelling exploration of the complexities surrounding Louis C.K.'s downfall and return to comedy. The film is meticulously crafted, featuring interviews with key figures including the women who spoke out against C.K. and journalists who reported o ... Show more >>
Watching Sorry/Not Sorry feels like being drawn into a whirlwind of emotions. Caroline Suh’s direction brings a raw honesty to the discussions around Louis C.K. and his controversial return to the stage. The film is packed with powerful testimonials from women who bravely shared their experiences, m ... Show more >>
Common themes and sentiments
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Yes, Sorry/Not Sorry is worth watching for its insightful exploration of Louis C.K.'s public downfall and return. The film features candid interviews with women who spoke out about his misconduct, offering a complex perspective on accountability in the entertainment industry.
Sorry/Not Sorry provides an in-depth look at the repercussions of Louis C.K.'s actions, focusing on the voices of those affected by his misconduct. It raises important questions about art, accountability, and whose narratives are valued in society.
No, Sorry/Not Sorry is not suitable for children due to its mature themes, discussions of sexual misconduct, and adult language. The film is intended for a mature audience who can engage with its complex subject matter.
Sorry/Not Sorry is available for streaming in Australia on platforms that feature New York Times productions. Check local listings or subscription services for availability.
The film concludes by reflecting on the ongoing impact of Louis C.K.'s return to comedy and the responses from the community. It leaves viewers with lingering questions about accountability and the complexities of redemption.
Yes, Sorry/Not Sorry is based on real events surrounding Louis C.K.'s public downfall and subsequent return to the stage. It features interviews with individuals directly affected by his actions.
While Sorry/Not Sorry is not a horror film, it does contain unsettling themes related to sexual misconduct and the fallout from such actions, which may evoke discomfort rather than fear.
Films that explore similar themes include 'The Hunting Ground' and 'Spotlight', both of which tackle issues of accountability and societal impact surrounding misconduct and abuse.
As of now, there is no announced sequel to Sorry/Not Sorry. The film stands alone as a commentary on Louis C.K.'s career and the surrounding issues of accountability in comedy.
Sorry/Not Sorry has sparked discussions around the accountability of artists and the importance of listening to victims' voices. It serves as a significant commentary on the #MeToo movement and its implications in the entertainment industry.